Evaluation of Eurovision Song Contest as a Cultural Impact Tool

Kültürel Bir Etki Aracı Olarak Eurovision Şarkı Yarışması Üzerine Bir Değerlendirme

Authors

DOI:

https://doi.org/10.7596/taksad.v10i1.3009

Keywords:

Cold War, Eurovision Song Contest, Turkey, Politics, Music

Abstract

In this study, three claims/arguments regarding the emergence and function of the Eurovision Song Contest were put forward and tried to be grounded. First, the contest emerged as a tool for Western Europe to influence Eastern Europe culturally in the Cold War but it didn’t become an ideological conflict area of East-West. Second, the contest functioned as a stage of expressing the political problems/situations that countries experience within themselves or with each other in the Cold War era and aftermath. Third, although Turkey took place in the Western Europe side in the Cold War, this contest made Turkey feel non-European while having a different identity. In this context, the subject is discussed from the historical perspective with the assumption that the subject of history is unique. The study focused primarily on the concept of the Cold War and the contest. Then, it was explained with the examples which political problems/situations different from the Cold War ideological conflict environment were brought up on the contest platform. Finally, it was emphasized that the contest contributed to “us vs them” dichotomy in Turkey against Europe, contrary to Eurovision’s aim to form/create a common European culture.

References

Begley, C. (2013, September 25). UK humiliated in Eurovision ‘post-Iraq backlash’.

Independent. accessed on 04.02.2021

https://www.independent.co.uk/news/media/uk-humiliated-in-eurovision-post-iraq-backlash-106132.html

Bekcan, U. (2012, May 23). Bir Soğuk Savaş Ürünü Olarak Eurovision Şarkı

Yarışması. Birikim.com. accessed on 04.02.2021

https://birikimdergisi.com/guncel/406/bir-soguk-savas-urunu-olarak-eurovision-sarki-yarismasi#.XkUgkXszaUk

Doğru, B. (2013). Coğrafi komşuluğun ve kültürel yakınlığın oy verme davranışına

etkisi: Eurovision Şarkı Yarışması. Doğuş Üniversitesi Dergisi, 14(2), 195-212.

Eurovision’a Doğru 12. Bölüm, (2012, May 25). Youtube.com. accessed on 04.02.2021 https://www.youtube.com/watch?v=LufDmdD3RSI

Goldenberg, S. (2000, May 12). Outraged Israel disowns daring Eurovision entry.

Theguardian.com accessed on 04.02.2021

https://www.theguardian.com/world/2000/may/12/israel

Harris, C. (2019, May 17). How politics is the perennial elephant in the room at

Eurovision. Euronews.com. accessed on 04.02.2021

https://www.euronews.com/2019/05/17/how-politics-is-the-elephant-in-the-room-at-eurovision

Hintermayr, M. M. (2016, May 15). Eurovision Cold War. Geopolitics and Queerness

at the Eurovision Song Contest in 2007. Fernetzt blog. accessed on 04.02.2021 https://www.univie.ac.at/fernetzt/eurovision-cold-war-geopolitics-and-queerness-at-the-eurovision-song-contest-in-2007/

Iceland fined for Eurovision pro-Palestinian protest. (2019, September 21). france24.com. accessed on 04.02.2021

https://www.france24.com/en/20190921-iceland-fined-for-eurovision-pro-palestinian-protest

İzlanda ve İrlanda’dan Eurovision için İsrail’i boykot çağrısı. (2018, May 17).

NTV.com. Accessed on 04.02.2021

https://www.ntv.com.tr/sanat/izlanda-ve-irlandadan-eurovision-icin-israili-boykot-cagrisi,ugFaSdwUP0eo2OOgOfIgtg

Jordan, P. (2010, November 18). The truth about politics at the Eurovision Song Contest. ESCInsight.com. accessed on 04.02.2021

https://escinsight.com/2010/11/18/the-truth-about-the-politics-of-eurovision/

Jordan, P. (2011). The Eurovision Song Contest: Nation branding and nation building

in Estonia and Ukraine. Unpublished PhD thesis. Glasgow: University of Glasgow, Central & East European Studies.

Kuyucu, M. (2011). Türkiye'nin Eurovision Serüveni. İstanbul: Esen Kitap.

Levy, G. (2009, May 16). Top 10 Eurovision controversies. Time.com.

accessed on 04.02.2021

http://content.time.com/time/specials/packages/completelist/0,29569,1896688,00.html

Oliver, S. (Director). (2011). The secret history of Eurovision [Documentary].

Australia: BBC Worldwide.

Riegert, B. (2019, Mayıs 18). Yorum: Eurovision şarkı yarışması eğlence mi siyaset mi?

dw.com. accessed 04.02.2021

https://www.dw.com/tr/yorum-eurovision-şarkı-yarışması-eğlence-mi-siyaset-mi/a-48785611

Rosenberg, S. (2012, May 13). The Cold War rival to Eurovision. BBC News.

accessed on 04.02.2021 https://www.bbc.com/news/magazine-18006446

Rules. (2021, January 9). Eurovision.tv. accessed on 09.01.2021 https://eurovision.tv/about/rules/

Sander, O. (2003). Siyasi tarih, ilkçağlardan 1918’e. Ankara: İmge Yayınları.

Saunders, F. S. (2000). Who paid the piper? The CIA and cultural Cold War. Londra:Granta Books

Serbia-Montenegro in pop song row. (2006, March 14). BBCnews. accessed on 04.02.2021 http://news.bbc.co.uk/2/hi/europe/4805014.stm

Tellal, E. (2013). Savaş sonrası dünya düzeni (1945-1950). in İ. Ortaylı (ed.), Siyasi tarih II (pp. 64-89). Eskişehir: Anadolu Üniversitesi Yayınları.

The first ever contest. (2021, January 10). Eurovision.tv. accessed on 10.01.2021

https://eurovision.tv/event/lugano-1956

The Hague 1980. (2021, January 10). Eurovision.tv. accessed on 10.01.2021

https://eurovision.tv/event/the-hague-1980/final/results/turkey

Türkiye Eurovision’a neden katılmadı? (2013, September 17). TRThaber.com. accessed on 04.02.2021 https://www.trthaber.com/haber/medya/turkiye-eurovisiona-neden-katilmadi- 101153.html

Türkiye’nin ESC tarihi 6/4. (2012, May 21). Youtube.com. accessed on 04.02.2021

https://www.youtube.com/watch?v=m1EmOllADdk

United States Congress. (1978). The CIA and the media. Washington: U.S. Government

Printing Office.

Vuletic, D. (2017, November 6). The Intervision song contest. Fiatifta.org. accessed on 04.02.2021 http://fiatifta.org/wp-content/uploads/2017/11/The-Intervision-Song-Contest-Dean-Vuletic.pdf

Watson, J., & Slee, A. (2019, May 16). Eurovision was meant to be apolitical. It's

been anything but. ABC News. accessed on 04.02.20211 https://www.abc.net.au/news/2019-05-16/eurovision-political-and-diplomatic-history-of-song-contest/11109018

Wellings, B., & Kalman, J. (2019). Entangled histories: Identity, Eurovision and

European integration. in B. Wellings, J. Kalman, & K. Jacotine (eds.), Eurovisions: Identity and the international politics of the Eurovision Song Contest since 1956 (pp. 1-20). Singapore: Palgrave Macmillan.

Wolther, I. (2012). More than just music: The seven dimensions of the Eurovision song

contest. Popular Music, 31(1), 165-171.

Downloads

Published

2021-03-31

How to Cite

Bekcan, U., & Uz Hançarlı, P. . (2021). Evaluation of Eurovision Song Contest as a Cultural Impact Tool: Kültürel Bir Etki Aracı Olarak Eurovision Şarkı Yarışması Üzerine Bir Değerlendirme. Journal of History Culture and Art Research, 10(1), 84-97. https://doi.org/10.7596/taksad.v10i1.3009