A Presentation and Classification of Pictorial Carpets of Qajar Era
DOI:
https://doi.org/10.7596/taksad.v6i2.850Anahtar Kelimeler:
Qajar era- Pictorial carpet- Persian carpet- Persian art- Theme.Özet
As one of Iranian cultural industries, carpet owns an ancient background and archaism. Primarily, it has been created due to the needs. Iranian hand-made carpet, as a symbol of Iranian art, which is culturally and nationally so important, through the years it has been a suitable bed for emanation of beliefs and credence of local artists, which its figures are projecting it. Carpets are full-view mirrors of Iranian artist’s enthusiasm, emotions, and worldview. Along with other phenomenon of the time, pictorial carpets emerged and formed in the late 18th century, following evolutions in various art fields in Iran and while enlisting new possibilities, like printing pictures and images, gained a new expression in Iranian carpet weaving. Pictorial carpets were a major group of Iranian carpets in Qajar era. Therefore, studying and analyzing this group of newly emerged carpets will explain different aspects regarding the history of carpet weaving, especially about design and figure of carpets. Illustrations in carpet weaving could be related to various cultural, social, political, and artistry issues of the era. Here, while introducing effective factors in emergence of these types of carpets, we classify the pictorial carpets based on applied themes and topics. This article introduces the underlying causes in emergence of pictorial carpets, like influencing from western culture and art, attitudes toward realism, human oriented thoughts and emergence of photography and printing and their corresponding effect.
Referanslar
Afarin, Farideh (2010). The Analysis of Realism in Iranian Painting: Since Teymouri to Qajar Era. Scientific and Researching by-seasonal of Studies of Islamic Art, 12: 53-72.
Ahani, Laleh; Vandshoari, Ali & Yaghoubzadeh, Azadeh (2016). The Study of Lyric Poetry in Qajar Pictorial Carpets (Case Study: Stories of Bahram Gur). Jelve-y Honar, Autumn-Winter, 14: 65-78.
Anonymous (1982). Iranian Art of Carpeting. Tehran: Etka Organization.
Bassam, Jalal Idin (2003). The Dream of Paradise, 1st&2nd Volume. Tehran: Etka Publications.
Dadgar, Leila (2001). Iranian Carpets: A Collection from Iranian Carpet Museum. Tehran: Organization of Cultural Heritage.
Day, Susan (1996). Great Carpets of the World, (ed.). London: Thames and Husdon.
Ittig, Annette (1996). Carpets: Qajar Era. Encyclopedia Iranica, online edition, New York. http://www.iranicaonline.org/articles/carpets-xi (accessed on 01.12.2016).
Mohajer Afshar, Kamran (2005). Iranian Artist and Modernism. Tehran: Tehran University Publications.
Naghani, Hossein Ibrahimi (2007). The Emanation of Humane Figure in Paintings of Qajar Era. Garden of Art Seasonal Letter, 9: 82-88.
Naghani, Hossein Ibrahimi (2009). The Study of Human Figure in Painting of Harat School and Qajar Painting. Jelveh Honar By-Seasonal Letter, New Series, 1: 13-28.
Pakbaz, Ruyin (1999). The Encyclopedia of Art. Tehran: Contemporary Art Publications.
Sakhai, Essie (2008). Persian Rugs and Carpets. Woodbridge, England: Antique Collectors Club.
Shayestehfar, Mahnaz & Sabbaghpour, Tayebeh (2011). A Study of Pictorial Carpets of Qajar Era. Scientific and Researching Seasonal Letter of Bagh Nazar. Nazar Architecture and Civil Studies, 8(18): 63-74.
Tanavoli, Parviz (1989). Iranian Pictorial Carpets. Tehran: Soroush Publications.
Tanavoli, Parviz (2006). Picture in Carpets. By-Seasonal Letter of Art and Public, 6: 41-47.
Vandshoari, Ali (2008). The Myth of Hushangshahi in Pictorial Carpets of Qajar Era. Goljam, 10: 87-100.
İndir
Yayınlanmış
Nasıl Atıf Yapılır
Sayı
Bölüm
Lisans
Tarih Kültür ve Sanat Araştırmaları Dergisi'nde yayımlanan tüm çalışmalar Creative Commons 4.0 CC-BY lisansı ile lisanslanmıştır.
Bunları yapmakta özgürsünüz:
- Bu eseri her boyut ve formatta paylaşabilir — kopyalayabilir ve çoğaltabilirsiniz.
- Materyalden Adapte et — karıştır, aktar ve eserin üzerine inşa et
- her türlü amaç için, ticari amaç da dahil
Alttaki şartlar altında:
Atıf — uygun bilgiyi, lisansa linki, and ve değişiklik yapıldıysa değişiklik bilgisinivermelisiniz. Sizi veya kullanımınızı lisansörün onayladığı bilgisini içermemek kaydıyla, size uygun şekilde bu işlemleri gerçekleştirebilirsiniz.
AynıLisanslaPaylaş — Eğer materyali karıştırdınızsa, aktardınızsa ya da materyalin üzerine çalıştınızsa, ancak aynı lisans ile dağıtabilirsiniz.
- Ek sınırlamalar yoktur — Lisansın izin verdiği hakları başkaları üzerinde kanunlarla ya da teknolojiyikullanarak sınırlayamazsınız.