Metal Decorations of Door of Saheb al-Amr Mosque in Tabriz: Azerbaijan Folk Art from Qajar Era
DOI:
https://doi.org/10.7596/taksad.v8i1.1972Anahtar Kelimeler:
Saheb al-Amr Mosque- Tabriz- Metal decorations- Mosque door- Mask.Özet
Mosques play a significant role in the lives of Muslims in addition to acting as places of worship. One of the most significant mosques of Azerbaijan region of Iran is Saheb al-Amr Mosque in Tabriz City. The mosque has unique designs of masks, metal hands and praying tablets made of metallic plates which were installed on the mosque door. Considering the inhibition of using portraiture in mosques and holy places, the present study intends to review the technical and artistic qualities as well as reasons behind installation of such designs on the mosque door. The primary questions of present study are concerned with (a) forms and roles of metal works of art installed on the door of Saheb al-Amr Mosque, and (b) reasons of installing these metallic works of art on the mosque door considering the inhibition of using portraiture in religious places. In order to answer these questions, descriptive-analytical method was adopted. The required information and data of this study were collected through field study and library review. The data analysis method is qualitative and results of this study, following collection of data and its analysis, suggest that the metal works of art were made of low-grade silver and brass by adopting different metalworking techniques which were inspired by contemporary art of Qajar era. The importance of the mosque to the public opinion led to installation of such objects in the mosque since they acted as means of indigent Muslims’ vow fulfilling.
Referanslar
Dehdar, M. (n.d.). Collection of spells of Skandar Zulqarnain, Zobdal-Alvah and Kashif Alsanaye.
Eskandar Baik, T. (2004). History of Shah Abbas the Great, in Iraj Afshar, Tehran: Amir Kabir.
Hanachi, P. & Nezhad Ebrahimi, A. (2007). Rereading Saheb Abad Square through Sharden and Metraqchi’s images and historical texts (from development to Safavid era), Fine Arts, 25, 35-44.
Ibn Karbalai, H. H. (2005). Rozat Al-Janan and Jenat Al-Janan, in Jafar Sultan Alqarai. Sotudeh.
Karang, A. (1996). Ancient monuments of Azerbaijan (Historical monuments and buildings of Tabriz City), Forum of Monuments and Cultural Figures, Rasti No, Tehran.
Khaje-Nasiri, N. (2015). Design and manufacturing of metal decoration by inspiration of metallic masks by emphasis on masks of Saheb al-Amr Mosque, Unpublished M.A. Dissertation, Islamic Art University, Tabriz.
Latifzadeh, M. (2010). Study of role of metal in Ashura-specific objects. Quarterly of Art, 82, 125-135.
Moayen Aldini, M., Nadalian, A & Maraii, M. (2014). Study of concept and significance of artistic style in folk art. Journal of Cultural Studies and Communication, 5 (27), 87-109.
Mosapur, E. (2008). Thirteen studies on spell, magic and intercession: A reference book. Tehran.
Nader Mirza. (1973). History and geography of government center of Tabriz, In G. Tabatabaee Majd & Y. Aidin (Ed.). Tabriz.
Nakhjavani, H. (1965). Historical Facts. Tehran: Adabiat Press.
Metraqchi, N. (2000). Description of buildings, In R. Raisnia (Ed.), Publication of Cultural Heritage Organization. Tehran.
Omrani, B. & Aminian, M. (2007). Speculations on Saheb Abad Square and Hassan Padshah Complex, Humanities and Literature Department, Isfahan University, 50, 91-118.
Panjebash, E. & Farhad, F. (2018). Sun and angle as symbols of woman on tiles of Golestan Palace. A Quarterly of Woman in Culture and Art, 9 (4), 511-528.
Savage-Smith, E. (2008). Scientific tools: Collection of Islamic arts, In Ali Mazandarani, G. (Trans.). Tehran: Karang.
Seqatol-Islam. (1954). History of holy places. Tabriz.
Tanavoli, P. (2007). Spell of traditional Iranian graphics. Tehran: Bengah.
Yasenzadeh, H. & Afhami, R. (2009). Prevention from gap in pre-historical civilizations’ works, Quarterly of Negare, 11, 51-59.
Zoka, Y. (2004). Life and works of Sani ol Molk. Tehran: Academic Publication Center.
İndir
Yayınlanmış
Nasıl Atıf Yapılır
Sayı
Bölüm
Lisans
Tarih Kültür ve Sanat Araştırmaları Dergisi'nde yayımlanan tüm çalışmalar Creative Commons 4.0 CC-BY lisansı ile lisanslanmıştır.
Bunları yapmakta özgürsünüz:
- Bu eseri her boyut ve formatta paylaşabilir — kopyalayabilir ve çoğaltabilirsiniz.
- Materyalden Adapte et — karıştır, aktar ve eserin üzerine inşa et
- her türlü amaç için, ticari amaç da dahil
Alttaki şartlar altında:
Atıf — uygun bilgiyi, lisansa linki, and ve değişiklik yapıldıysa değişiklik bilgisinivermelisiniz. Sizi veya kullanımınızı lisansörün onayladığı bilgisini içermemek kaydıyla, size uygun şekilde bu işlemleri gerçekleştirebilirsiniz.
AynıLisanslaPaylaş — Eğer materyali karıştırdınızsa, aktardınızsa ya da materyalin üzerine çalıştınızsa, ancak aynı lisans ile dağıtabilirsiniz.
- Ek sınırlamalar yoktur — Lisansın izin verdiği hakları başkaları üzerinde kanunlarla ya da teknolojiyikullanarak sınırlayamazsınız.