<b>Henry James’s The Portrait of a Lady (1881) or Jane Campion’s 1996 movie adaptation?</b>
DOI:
https://doi.org/10.7596/taksad.v4i3.464Keywords:
modernity, movie adaptation, character description, literary techniques, conservationAbstract
Henry James’s The Portrait of a Lady (1881) or Jane Campion’s 1996 movie adaptation?
Abstract
This paper aims at identifying both the similarities and differences between Henry James’s novel “The Portrait of a Lady” (1881) and Jane Campion’s 1996 movie version. We will try to answer the following questions: Is a Modernist literary piece still appealing to the 21st century readers? What is lost and what is gained from the screen adaptation of the book? Would a person reading the novel be interested in watching the movie and vice versa? Last but not least, we will compare the portrayal of the characters in the novel and their materialization in the movie through the parts of Nicole Kidman, John Malkovich, Barbara Hershey and Mary Lauise Parker.
References
Allen, E. (1984). A Woman’s Place in the Novels of Henry James. London: Macmillan.
Despotopoulu, A. (2006). Girls on film: postmodern renderings of Jane Austen and Henry James. Yearbook of English Studies, 36.1, 115-120.
Elliott, E. (1990). New Essays on The Portrait of a Lady. Cambridge: Cambridge University Press.
Hibbert, C. (2000). Queen Victoria: A personal History. Cambridge, MA: Da CapoPress.
Izzo, D. (2006). ThePortrait of a Ladyand Modern Narrative. In J. Porte (Ed.), New Essays on the Portrait of a Lady (pp. 33-49). Cambridge: Cambridge University Press.
James, H. (2004). The Portrait of a Lady. George Stade, ed.. New York: Barnes & Noble Classics.
Tanner, T. (1968). The Fearful Self: Henry James's The Portrait of a Lady. Henry James: Modern Judgements. London: Macmillan.
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