The Changes of Poetic Forms in the Contemporary Era

Authors

  • Mohammad Mehdi Torabikhah Jahromi Islamic Azad University
  • Ali Eshghi Sardehi Islamic Azad University
  • Abolghasem Amirahmadi Ferdowsi University

DOI:

https://doi.org/10.7596/taksad.v5i4.604

Keywords:

Tradition, literary forms, innovation, poetry poetic forms.

Abstract

Abstract

This study examines the form of poems after Mashrouteh (constitutional revolution of Iran) and explains the literary-semantic function after having a brief look at the poetry in 40s and 50s. This essay aims to answer whether poesy gone through a lot of innovations and changes during years or the change and transition in its form and semantic has taken place gradually. The study looks possible answers whether there has been many innovations and transitions or a gradual change rarely in spite of the general tendency that poets seek innovation in different ways during the history of Persian poetry.

References

Aminpour, G.H. (no date). Tradition and Innovation in Iran Contemporary Poetry: Elmi Farhangi Publication.

Bidar, Sales, Kafi, S. H. A. M. (1951). A conversation, Tehran.

Faramarzi, M. T. (1944). Art and History Philosophy. Translated by Arnold Howers. Tehran: Negah.

Hassanli, K. Types (1949). Innovation in Contemporary Poetry. Sales Publication.

Hassanpour, K. A. A. (1970). Contemporary Persian Poetry Currents: Publication Zahir Faryabi Divan.

Shirvanlou, F. (1965). The Necessity of Art in the Process of Social Development. Translate by Ernest Fischer. Tehran: TousYoushij, N Divan.

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Published

2017-01-05

How to Cite

Jahromi, M. M. T., Sardehi, A. E., & Amirahmadi, A. (2017). The Changes of Poetic Forms in the Contemporary Era. Journal of History Culture and Art Research, 5(4), 272-277. https://doi.org/10.7596/taksad.v5i4.604

Issue

Section

Workshops & Postgraduate Studies