The Impression and Affection of Ilia Abumazi from Omar Khayam Neishabouri

Authors

  • Ali Asghar Azizpour Shirfroush

DOI:

https://doi.org/10.7596/taksad.v5i4.591

Keywords:

Omar Khayam Neishabouri, Ilia Abumazi, The Influence of Omar Khayam, Omar Khayam Poets.

Abstract

Abstract

Mankind has always thought about the different opinions regarding the world and its ultimate consequence over the history. Gradually, these thoughts have been established in testing criterion of other works so that the nationality of the thinking never paid attention in this regard. In addition, Abol-aala Moaari and Omar Khayam Neishabouri were considered as the most sophisticated scholars of the literary and thinking fields because the thoughts of these scholars had the most potential influence on the next generation efficiently; one of the most outstanding influences of these works was subjected to Abumazi poems. Abumazi the contemporary Lebanon-Mohjari poet as “Tasavol and Tafavol” has written many various poems regarding to the philosophical subjects in terms of the Iranian famous poet Omar Khayam Neishabouri. For the reason, the main purpose of the present study was to investigate the affection aspects of Abumazi poems from Omar Khayam Neishabouri; this has been also achieved as comparative in this study.

References

Abumazi Ilia (1982). Divan of Abumazi Deraseh Zahir Mirza. Beirut: Dar Aloudeh.

Almaaoush Salem (1997). Ilia Abumazi Between East and West (1st printing). Beirut: Institution of Behsoun.

Ehsan Abbas and NajmYousef (1982). AlsherAlarab Fi Almohjar, Beirut: Dar Sader.

Hedayat Sadegh (1934). Songs of Khayam (1st printing). Tehran: Amirkabir Publication.

Khalil Jabran, Jabran (2012). AlmajmouehAlkamelAlmoalefat: Beirut.

Rami Ahmad (2000). Khayam Quatrains, Beirut: Dar Aloudeh.

Zeif Shoughi (2012). Darasat Fi SherAlarabiAlmoaser (9th printing). Cairo: Dar Almaaref.

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Published

2017-01-05

How to Cite

Shirfroush, A. A. A. (2017). The Impression and Affection of Ilia Abumazi from Omar Khayam Neishabouri. Journal of History Culture and Art Research, 5(4), 149-163. https://doi.org/10.7596/taksad.v5i4.591

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Section

Articles