Historical and Political Allusions in the Drama “Hamletmachine” by Heiner Müller

Svetlana Georgievna Kolpakova, Veronika Lubimovna Gataullina, Ekaterina Vladimirovna Smyslova

Özet


In terms of postmodernism а classical plot becomes more active, mobile and begins to travel through the cultural discourses in different social and political channels, thereby indirectly achieving its full inner creative potential in the minds of "postmodern" readers. The paper focuses on Müller’s "Hamletmachine" which uses the Shakespearean plot. The authors of the article explore the new features introduced by the writer into the classic plot by placing it in postmodern principles (game, changes of meanings, rhizome, blissful ignorance of consumer society) which are woven together in a syncretic way. Müller masterfully uses these devices to transmit the political ideas and describe the history of communism and the historical events.

The comparative method in combination with complex descriptive analysis of the text is chosen as the main methodology. The aim of the study is to find out what purposes and what political events Müller involves in the text of the drama.


Anahtar Kelimeler


Heiner Müller, Hamletmachine, political allusions, historical allusions, Shakespeare's reception

Tam Metin:

PDF (English)

Referanslar


Lehmann, H. T. (2003). Heiner Müller-Handbuch: Leben. Werk. Wirkung. Mitarb.: Olaf Schmitt. Stuttgart, Weimar: Metzler. 525 pp.

Gajdin, B. N. (2013). Myuller Hajner [Elektronnyj resurs]. Elektronnaya enciklopediya «Mir SHekspira». URL: http://world-shake.ru/ru/Encyclopaedia/4507.html. (approved: 30.08.2019).

Bahun-Radunović, S. (2008). History in Postmodern Theater: Heiner Müller, Caryl Churchill, And Suzan-Lori Parks. Comparative Literature Studies, Vol. 45, No. 4 (2008), Published by: Penn State University Press. pp. 446-470. URL: https://www.jstor.org/stable/25659684 (approved: 30.08.2019)

Friedman, D. (Ed.) (2007). The Cultural Politics of Heiner Müller. Newcastle: Cambridge Scholars Publishing. 145 pp.

Bobrovskaya, E. O., Falaleeva, S. S. (2015). Prelomlenie gendernyh smyslov v obshchestvenno-politicheskoj problematike p'esy «Gamlet-mashina» H. Myullera. Molodoj uchenyj. 2015. №10.5. P. 33-35. URL: https://moluch.ru/archive/90/18092/ (approved: 30.08.2019).

Matussek, M. (1990). Hamlet: Requiem für einen Staat. DER SPIEGEL 13/1990. P. 290 – 293.

Müller, Heiner (2011). Hamletmachine.

URL: https://brennanicely.files.wordpress.com/2011/07/hamletmachine.doc (approved: 30.08.2019).

Schulz, G. (1980). Heiner Müller. Stuttgart: Sammlung Metzler, 203 p.

Morgan, M. (2013). Introduction: Political Theatre and the Theatre of Politics. In: Politics and Theatre in Twentieth-Century Europe. Critical Political Theory and Radical Practice. Palgrave Macmillan, New York.

Zhenin, I. (2015). Levyj terrorizm v Germanii [Elektronnyj resurs], Postnauka. Istoriya Germanii XX veka. 11 MARCH 2015. URL: https://postnauka.ru/video/42423. (approved: 30.08.2019).

Radhy, Z. H. (2019). Application of Multiply Regression Linear Model and New Technology Method in Estimating Learning and Education of Students. International Electronic Journal of Mathematics Education, 14(1), 87-90. https://doi.org/10.12973/iejme/3978

Mollaei, B., Gorji, Y., & Rezaei, F. (2014). Comparison of Anxiety, Children, and Single with Two Children in Secondary Schools during the First and Second Year in the Academic Year 2013-2014 of Bandar Abbas, UCT Journal of Social Sciences and Humanities Research, 2(2): 127-130.




DOI: http://dx.doi.org/10.7596/taksad.v8i4.2381

Refback'ler

  • Şu halde refbacks yoktur.




Telif Hakkı (c) 2019 Journal of History Culture and Art Research

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.